Kenzo Tange, Kurashiki City Hall, 1960

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1 Kenzo Tange, Kurashiki City Hall, 1960

2 Eero Saarinen, TWA Terminal, Kennedy Havaalanı (1962) - New York

3 Jorn Utzon, Sydney Opera House,

4 Louis Kahn, Kimbell Art Museum, Texas,

5 James Stirling, FloreyBuilding, Queen s College, Oxford,

6 Alison-Peter Smithson, Robin Hood Gardens, Londra,

7 Toplu Konut Projeleri, Singapur dan örnek, 1960lar

8 Toplu Konut Projeleri, Triviale, İtalya, erken 1970ler

9 Ticarileşen cam kutular, 1960lar ve sonrası

10 Alison-Peter Smithson, Golden Lane önerisi, 1952

11 George Candilis, Alexis Josic, Shadrach Woods,Toulous-le-Mirail, 1961

12 George Candilis, Alexis Josic, Shadrach Woods, Free University of Berlin,

13 Aldo Van Eyck, Orphanage, Amsterdam, , Mat plan

14 Herman Hertzberger, Central Beheer Office Complex, Hollanda, 1972

15 Kenzo Tange, Tokyo Bay Project, 1960

16 Kiyonore Kikutake, Cities in the Air, 1959

17 Arata Isozaki Joint Core Stem, 1960

18 Arata Isozaki Clusters in the Air project, 1962

19 Moshe Safdie, Habitat 67, Montreal

20 Kisho Kurokawa, Nagakin Capsul Tower, Tokyo,

21 Archigram, Plug-in City, 1964

22 Kisho Archigram, Plug-in City, 1964

23 Archigram, A Walking City, 1964

24 Archigram, A Walking City, 1964

25 Constant, New Babylon, 1959-

26 Natalini wrote in 1971 if design is merely an inducement to consume, then we must reject design; if architecture is merely the codifying of bourgeois model of ownership and society, then we must reject architecture; if architecture and town planning is merely the formalization of present unjust social divisions, then we must reject town planning and its cities until all design activities are aimed towards meeting primary needs. Until then, design must disappear. We can live without architecture Superstudio, The Continuous Monument, An Architectural Model For Total Urbanisation, 1969

27 Robert Venturi, Vanna Venturi House,

28 Robert Venturi, Vanna Venturi House,

29 Robert Venturi, Guild House, Philadelphia,

30 Hanselmann House, Fort Wayne, Indiana Michael Graves, Benacerraf House, New Jersey, 1969

31 House IV Peter Eisenmann, House II, 1969

32 House VI, Fourteen Transformations (axonometric), Cornwall, Connecticut Peter Eisenman, MOMA Peter Eisenmann, House VI,

33 The Demolition of the Pruitt-Igoe Building. "Happily, it is possible to date the death of Modern Architecture to a precise moment in time." Charles Jenks. After months of preparation, the first building was demolished at 3 p.m., on March 16, The second one went down April 22, The first stage of demolition completed on July 15. Pruitt-Igoe was a large urban housing project in St. Louis, Missouri. Built Architect - Minoru Yamasaki, who also designed the World Trade Centre, New York. Architectural Forum praised the layout as "vertical neighborhoods for poor people" Each row of buildings was supposed to be flanked by a "river of trees" By 1968 the authorities were encouraging people to leave. By 1971 it was calculated that the estate had cost $57 million yet had never been more than 60% occupied. By late 60s it was notorious: extreme poverty, crime, and segregation. 32 buildings were demolished in total from Post-modernizm?

34 Post-modernizm?

35 The Demolition of the Pruitt-Igoe Building. "Happily, it is possible to date the death of Modern Architecture to a precise moment in time." Charles Jenks. After months of preparation, the first building was demolished at 3 p.m., on March 16, The second one went down April 22, The first stage of demolition completed on July 15. Pruitt-Igoe was a large urban housing project in St. Louis, Missouri. Built Architect - Minoru Yamasaki, who also designed the World Trade Centre, New York. Architectural Forum praised the layout as "vertical neighborhoods for poor people" Each row of buildings was supposed to be flanked by a "river of trees" By 1968 the authorities were encouraging people to leave. By 1971 it was calculated that the estate had cost $57 million yet had never been more than 60% occupied. By late 60s it was notorious: extreme poverty, crime, and segregation. Pruitt-Igoe Bloklarının Yıkımı, buildings were demolished in total from

36 The Byker housing forms a wall to protect the residents from the noise of a busy road situated along the edge of the site (see figure 4.6). The windows are small and the walls are high to reduce the amount of noise which is allowed to penetrate into the apartments, communal path ways and green areas. Within this wall the individual apartments form a complex pattern. The arrangement of the communal areas and housing is similar to Van Eyck s Nagele village. There are a number of open green areas which form focal points for the corresponding housing. In consistency with Van Eyck s ideas, Eskine uses the internal walkways, galleries and bridges to visually and figuratively connect with the open spaces. Ralph Erskine, Byker Wall Konutları, Newcastle,

37 Ralph Erskine, Byker Wall Konutları, Newcastle,

38 Aldo Rossi, Gallaratese Konutları, Milano,

39 Aldo Rossi, Gallaratese Konutları, Milano,

40 Aldo Rossi, Gallaratese Konutları, Milano,

41 Giorgio de Chirico, Mystère et mélancolie d'une rue, 1914 Ariadne, 1913 Giorgio de Chirico, Kuzey İtalya arkadları, kent, tarih ve melankoli

42 Alvaro Siza, Quinta da Malagueira Konutları, Evora, Portekiz,

43 Alvaro Siza, Quinta da Malagueira Konutları, Evora, Portekiz,

44 Norman Foster, Willis Faber Dumas Building, Ipswich, İngiltere, 1975

45 Architectural Review, June 1975 Norman Foster, Willis Faber Dumas Building, Ipswich, İngiltere, 1975

46 Herman Hertzberger, Centraal Beheer Ofis Binası, Apeldoorn, 1972

47 Herman Hertzberger, Centraal Beheer Ofis Binası, Apeldoorn, 1972

48 SOM, John Hancock Center, Chicago, Minoru Yamasaki, World Trade Center, New York, lerin başında Highrise, Yüksek yapılar / gökdelenler

49 Hugh Stubbins Citicorp Headquarters New York 1978 Phillip Johnson, AT&T Building New York, lerin sonunda Highrise, Yüksek yapılar / gökdelenler

50 Richard Rogers, Renzo Piano, Centre National d'art et Culture Georges Pompidou, Paris

51 Richard Rogers, Renzo Piano, Centre National d'art et Culture Georges Pompidou, Paris

52 Richard Rogers, Renzo Piano, Centre National d'art et Culture Georges Pompidou, Paris

53 Louis Kahn, Kimbell Sanat Merkezi,

54 Louis Kahn, Kimbell Sanat Merkezi,

55 Michael Graves, Piazza d Italia, New Orleans,

56 Bernard Tschumi, Parc de la Villette, Paris, Yarışma: 1982/3, Uygulama:

57 Starchitect-ure

58 Digital fabrications

59 Geri dönüşüm ve sürdürülebilir mimarlık

60 Johann Otto Von Spreckelsen, Grande Arche de la Défense, Paris,

61 Malka bu tasarımı terk edilmişler, marjinalleştirilmişler, mülteciler, göstericiler, muhalifler, hippiler, ütopyacılar ve tüm türden uyruksuzları birleştirme çabasını ortaya koyuyor. Bu konsept tasarımı Malka, göz ardı edilen kamusal alanların, prefabrik ve gasp yoluyla inşaat sistemleri ile kentsel sınırlamalara direniş olarak kullanılıp kullanılamayacağını araştırıyor. Johann Otto Von Spreckelsen, Grande Arche de la Défense, Paris, Staphane Malka, Auto-defense

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