78.84% Nine out of the 10 most-watched films were national productions.

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3 78.84% In the first 15 weeks of 2013, 83 films were released in Turkey, of which 23 national films took a market share of 78.84%, the highest national market share in Europe.* Nine out of the 10 most-watched films were national productions. The Ministry of Culture and Tourism supported 37 feature film projects in It is our pleasure to share this data with you. Ankara Cinema Association *antrakt-deniz yavuz denizyavuza@antraktsinema.com III

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5 the actor oyuncu turkey 2012, hd, 76, b&w director Serhat Furtuna script Serhat Furtuna cinematography Serhat Furtuna editing Serhat Furtuna music Onur Özaydın cast Onur Özaydın, Dilek Yorulmaz, Sezin Bozacı, Yeşim Egemen, Serhat Furtuna production-distribution Serhat Furtuna, Gürsoylu Sok. 35/13 Erenköy Istanbul T furtunas@hotmail.com I am Faruk, a 29-year-old actor. I am going through the toughest time of my life: I am about to divorce. I have to work as a distraction. That s why I agreed to act in such an amateur movie. The name of the character I am playing is Ömer, a guy who does voice-overs from time to time and acts in his small theatre. An energetic, upbeat guy just like I was five years ago. Serhat Furtuna (Istanbul, 1980) graduated from the Dokuz Eylül University Department of Economics in 2004 and then earned an M.A. degree in Film and Drama at Kadir Has University in The Actor is his debut feature. I don t think this movie will work. For that matter, I told the director the day we finished shooting that his movie was garbage. But still, I do like his honesty with the audience. I still got the same impression. filmography 2007 Oyun The Game (short) 2009 Fare The Mouse (short) 2010 Klişe Cliché (short) 2010 Telkin Suggestion (short) 1

6 butterflies flying to fire ateşe uçan kelebekler turkey 2013, 138, 35mm, colour director Selda Salman Acar, Erdoğan Acar script Selda Salman Acar, Erdoğan Acar cinematography Selda Salman Acar, Erdoğan Acar editing Selda Salman Acar, Mustafa Çelik music Erdoğan Acar cast Çilem Aydın, Zeynep Öztürk, Ferah Altuntaş production-distribution Selda Salman Acar, Emlak Konut Koru Evleri A9 Blok No: Sarıyer Istanbul T seldasalmanacar@gmail.com Zeynep lives alone in Istanbul and has a monotonous life working in an office. The superficiality of relationships around her pushes her deeper into solitude, making it hard to fit in. Zeynep s loneliness and introversion feed her imagination to the point where her dreams sometimes supersede reality and she s marginalized in society. Setting out from Zeynep s inner world as a woman caught between reality and dreams, nature and the city, love and children, this film explores the bigger issues of hierarchy, authority and modern urban relationships with subtle allusions to war and terrorism. An old woman brought to the city is convinced that she s back in the village; Şükran, on the other hand, moved to the city for a better life. And both are living out their destiny in this modern urban world. How will the simple question of a stranger affect Zeynep in her routine life? Selda Salman Acar (Kayseri, 1972) studied politics. After six years in the banking sector, she resigned in 2004 to concentrate on photography and filmmaking. She has several photography exhibitions and awards to her name. Her work has also earned her the distinction of AFIAP (Artiste de la Fédération Internationale de l Art Photographique). filmography 2009 Varolmanın Dayanılmaz Ağırlığı The Unbearable Deadlock of Being (short) Erdoğan Acar (Tokat, 1972) studied economics. His interests include music, painting, poetry and cinema. His first short film, Fisherman, was screened at the Istanbul Photography and Cinema Amateurs Association (IFSAK) in filmography 2007 Balıkçı Fisherman (short) 2

7 the butterfly s dream kelebeğin rüyası turkey 2013, 138, 35mm, colour director Yılmaz Erdoğan script Yılmaz Erdoğan cinematography Gökhan Tiryaki editing Bora Gökşingöl music Rahman Altın cast Kıvanç Tatlıtuğ, Belçim Bilgin, Mert Fırat, Farah Zeynep Abdullah, Yılmaz Erdoğan production-distribution BKM Film, Necati Akpınar, Akat Mah. Ebulula Mardin Cad. Maya Meridyen Plaza 16/12 Beşiktaş Istanbul T necatiakpinar@bkmonline.net 1941, Zonguldak, a coal-mining town in northwest Turkey. As the nation struggles under the heavy burden of World War II, all males aged in the Zonguldak area are required by law to work in the mines. In the midst of the turmoil, there are two poets in their early 20s: Muzaffer Tayyip Uslu and Rüştü Onur. Their biggest dream is to be published in the literary magazine, Varlık, and to become famous. Meanwhile, Behçet Necatigil, the literature teacher at Zonguldak s Çelikel High School, is the only person who mentors, understands and befriends them. When they see Suzan, the daughter of Zikri, a rich and prominent businessman in the town, the young poets are mesmerized by her beauty. They make a bet over her: each will write a poem and have Suzan read the poem. The writer of the poem she likes the most will win her as his prize, leaving the other to concede defeat. Yılmaz Erdoğan (Hakkari, 1967) began his career on stage in He worked for theatre and television channels as a writer, director and actor until 1999 when he made the crossover to film. His debut feature, Vizontele (2000), depicted the introduction of television to the city where he was born. The sequel Vizontele Tuuba (2004) was also a box-office success. He then went on to write, direct and act in Magic Carpet Ride (2005) and Jolly Life (2009), as well as starring in Nuri Bilge Ceylan s latest film Once Upon a Time Anatolia (2010) and Bahman Ghobadi s Rhino Season (2012). filmography 2001 Vizontele 2004 Vizontele Tuuba 2005 Organize I şler Magic Carpet Ride 2009 Neşeli Hayat Jolly Life 3

8 by a way of deception hile yolu turkey 2012, hd, 90, colour director Ersin Kana script Ersin Kana cinematography Mehmet Zengin editing KANNA, Umut Sen music Mayki cast Ozan Bilen, Serkan Yakan, Halil İbrahim Aras, Özgül Koşar, Ali Savaşçı, Mazlum Kiper production-distribution Pancard Film, Hakan Alak, 19 Mayıs Mah. Hamidiyesuyu Sok. Dodanlı İş Merkezi 5/7 Şişli Istanbul T hakan@pancardfilm.com The assassin who killed Hrant Dink, the Turkish journalist of Armenian descent, was identified when security camera images surfaced soon after the murder. A witness claimed that the killer was not alone, as two hours of security camera footage on the day of the assassination had been deleted at the police station. However, there is always backup. Two years after the murder, as the power balances in Turkey have begun to shift, the killers are preparing to assassinate a Turkish priest. But they now discover that dangerous camera footage thought to have been deleted is in the hands of their most trusted man, Pasha. By a Way of Deception tells the story of a crime organisation which not even hatred or the courts have managed to unravel. Ersin Kana has been a professional filmmaker for four years. In 2008, he directed Rebel Spirit, a feature-length documentary about Beşiktaş Çarşı, the world-famous Beşiktaş supporters club. A book of the film was also published the same year. In 2009, Kana wrote the screenplay for Brought by the Sea, a dramatic feature directed by Nesli Çölgeçen. By a Way of Deception is his debut feature film. filmography 2008 Asi Ruh Rebel Spirit (documentary) 4

9 children of the soil toprağın çocukları turkey 2012, 35 mm, 84, colour director Ali Adnan Özgür script Dilşah Özdinç cinematography Yusuf Aslanyürek editing Evren Luş, Sedat Karadeniz music Ayhan Akkaya, Fehmiye Çelik production-distribution Yapımhane, Ali Adnan Özgür, Doğan Bey Mah. Doğan Bey Cad. Örtaş İş Merkezi Kat: 2 Osmangazi Bursa T adoistanbul@gmail.com When her camp is attacked, Karika, a gypsy girl, is rescued by Village Institute student, Cevher, and taken under the wing of the Institute with the help of I smail Hakkı Tonguç. Local villagers are resentful and demand that the gypsies be thrown out of the Institute. Their response leads Necip, the regional army commander, to detain the Institute s director, Kemal. The story is set in 1945, a time when Village Institutes were increasingly subject to crackdowns; and this backdrop is an aid to Commander Necip in achieving his evil aims. The commander and his men step up their raids on the Village Institute. Necip arrests Kemal on the pretext of having banned books in the Institute. The students, who are preparing for the opening of an amphitheatre they built themselves, are shattered by the incident. A group of students, Cevder among them, decide to attend the trial, which coincides with the day of the opening. The amphitheatre opening goes ahead as planned, presenting an enthusiastic crowd with a programme of song, dance and theatre. Meanwhile, Kemal is acquitted at his trial. But those bent on closing the institutes are not done yet... Ali Adnan Özgür (Trabzon, 1982) completed his bachelor s degree at the Department of Public Administration. He earned an MA degree in Film and Drama. He has worked as an art director, production assistant, production manager, assistant director and executive producer. Children of the Soil is his debut feature. award Special Jury Award Antalya 5

10 circle daire turkey 2013, hd, 120, colour director Atıl İnaç script Atıl İnaç cinematography Hayk Kirakosyan editing Niko Canlısoy, Deniz Kayık cast Fatih Al, Nazan Kesal, Erol Babaoğlu, Görkem Kanbolat, Çağlar Çorumlu, Nihat Alpteki production-distribution Lacivert Film, Derya Tarım, Yeni Çarşı Cad. 21/2 Galatasaray Beyoğlu Istanbul T deryatarim@lacivertfilm.com Circle is essentially the story of Feramus, Betül and Arif, three very different characters who are brought together by irrational requirements of the system they live in and who change each other s lives deeply. Feramus is a former philosophy teacher whose inability to adapt to the new political reality in Turkey meant he had to quit his job in Istanbul. After giving up his job and moving to the small town, Feramus tries to sell a piece of land bequeathed by his grandfather in order to buy a roof over his head; when his attempts are thwarted by a succession of official difficulties, he starts a job as a security guard at the town s empty airport. Arif also works at the inoperative airport as a cleaner. He is a local man with little education to speak of. Betül, a widowed actress, struggles on with life on her own, but after losing her job in Ankara, she moves to the town in desperation. After some questioning about financial rewards and job security, Betül decides that her best way forward is as a funeral undertaker. She takes a course in undertaking while trying to look after her ailing daughter. Feramus and Arif forge an unusual friendship in their respective jobs at the airport and change each other s lives forever. Atıl İnaç studied philosophy at the University of Missouri, Kansas City and graduated from Boğaziçi University in philosophy. He continued his academic studies at Claremont Graduate University, specializing in the philosophy of language. From 2003 to 2007, he spent all his time writing and directing TV films and series for most of the major television networks. He completed his first feature film Zincirbozan in Inaç s second feature film A Step into the Darkness, shot in Iraq and Southeast Turkey in 2009, had its world premiere at the Montreal Film Festival. He has established a reputation as a multi talented storyteller balancing projects in Los Angeles, Istanbul and the Middle East. filmography 2007 Zincirbozan 2009 Büyük Oyun A Step into the Darkness 6

11 the circle within içimdeki çember turkey 2013, hd, 72, colour director Deniz Çınar script Deniz Çınar cinematography İsa Toraman editing Muhammed Okumuş music Volkan Zorlu cast Fırat Çınar, Coşkun Çetinalp, Fadime Vurguncu, Kadir Vurguncu production-distribution Çınar Sanat, Deniz Çınar, Gemilerçekeği Mah. Yeniyol Mevki Osmannuri Apt. 261/ Giresun T denizcinar28@gmail.com This film is about the Yazidis, people who belong to the Yazidi faith and whose population in Turkey has now declined to 500. Yazidism is a minority religion with Middle Eastern roots whose adherents worship the sun. Today, the Yazidi live in the east of Turkey, Syria, northern Iraq, Georgia, Armenia, Ukraine and Russia. filmography 2011 Arayış The Search Deniz Çınar (Giresun, 1979) graduated from the Faculty of Communication, Gazi University with a degree in journalism. However, many Yazidis in Turkey have had to emigrate to western European countries as a result of social, cultural, religious and political pressures. 7

12 cold soğuk turkey 2013, hd, 105, colour director Uğur Yücel script Uğur Yücel cinematography A. Emre Tanyıldız editing Ulaş Cihan Şimşek, Mark Marnikovic music Murat Başaran, Uğur Yücel cast Cenk M. Alibeyoğlu, A. Rıfat Şungar, Valeria Skorokhodova, Yulia Vanyukova, Yulia Erenler production-distribution TMC Film, Erol Avcı, Gazeteciler Sitesi, Dergiler Sok. 29 Esentepe Şişli Istanbul T yasemin@tmc.com.tr Kars, a border city in the northeast of Turkey. The rough and remorseless spirit of Caucasian culture is in complete accordance with the cold climate of the region. In winter, Kars becomes a city that offers no way out. Three Russian sisters work in a night club. A railroad worker, who has never known a woman other than his wife, falls in love with the youngest of them. He develops a passion for the woman that makes him abandon everything else. The railroad worker s younger brother is a thuggish, dangerous sort. Even though he has a wife and a good home, the brother won t give up on the city s night life. He, too, hangs around the three sisters, spending his nights out drinking and having a good time in clubs. The youngest of the Russian sisters, Irina, has only three days left until her return to Russia. In the events that follow, nothing goes as either the railroad worker or the sisters have planned. Uğur Yücel (Istanbul, 1957) studied acting at the Istanbul Conservatoire and launched a career of one-man shows in Six years later, he began acting in feature films and made his directorial debut with a short film in He projected the silent film on a big screen and accompanied it himself on stage with percussion instruments. He is an active actor, writer, director and composer for feature films and television series. As one of the most acclaimed actors of his time, Uğur Yücel is highly respected for his ability to migrate into the souls of the characters he plays. filmography 2004 Yazı Tura Toss Up 2006 Hayatımın Kadınısın The Woman of My Life 2010 Ejder Kapanı The Dragon Trap award Best Music Istanbul 8

13 crossroads 3 yol turkey 2013, hd, 116, colour director Faysal Soysal script Faysal Soysal cinematography Şahin Sisic editing Farshad Nekoomanesh music Kayhan Kalhor cast Kristina Krepela, Nik Xhelilaj, Turgay Aydın production-distribution Balkon Sanat, Canol Balkaya, E-5 Yolu, Tercüman Sitesi, B1 Blok, No: 79 Cevizlibağ Istanbul T canolbalkaya@gmail.com When they were kids, Bunyamin and his brother, Yusuf, fell in love with the same girl, Zeliha, and a childish game led to Zeliha s death. Bunyamin can never forgive himself and keeps finding excuses to run away from home. He drifts to Bosnia to help unearth the bodies of victims from mass graves. The emotional pressure of his job brings back the past and he turns into Yusuf in his dreams. Zrinka is a psychologist specializing in post-war suicide syndrome. Her experiences drive her to contemplate suicide until Bunyamin steps in to prevent her. In return, Zrinka tries to help release Bunyamin from his qualms of conscience while he suffers from amnesia. Bunyamin eventually returns to Turkey to face up to his brother. Meanwhile, Zrinka has a dream in which something bad happens to him. She then embarks on a journey through Turkey. Contrary to her expectations, she finds another truth along with true love in Hasankeyf. Faysal Sosyal (Batman, 1979) left medical school to study pharmacy in He completed his further education at Tehran Arts and Van Yüzüncü Yıl Universities graduating in film directing and contemporary Turkish literature. In 2008, he attended the New York Film Academy. Faysal has made eight short films, some of which were awarded internationally. He has also written two volumes of poetry and translated two others. selected filmography 2005 Yasak Rüya Forbidden Dream (short); Ithaki (short) 2006 Annem Olduğum Gün The Day I Became My Mother (short) 2007 Kayıp Zaman Düşleri The Dreams of Lost Time (short) 2008 Istanbul (short); Ithaca (short); Saat Kaç? What Time Is It? (short) 2011 Yeryüzü Doktorları Filistin de Palestine, Doctors Worldwide (documentary) 9

14 cycle devir turkey 2012, 35mm, 75, colour director-script Derviş Zaim cinematography Taner Tokgöz, Engin Örsel, Ali Osman Turhan, Osman Nuri İyem, Alican Muhittin Dilege, Çağdaş Yıldırım editing Aylin Zoi Tinel cast Ramazan Bayar, Mustafa Çelikli, Ali Özel, Engin Örsel, Nadi Güler, Çala Köseoğulları production-distribution Marathon Film, Derviş Zaim, Sıraselviler Cad. No: 78 K: 1 D: 2 Beyoğlu Istanbul Turkey T marathon@superonline.com The traditional shepherding contest in Hasanpaşa village requires shepherds to herd their sheep one by one through a pool of water. The shepherd who crosses the pool with his flock the fastest and with the least hesitation wins the contest. Hasanpaşa s seasoned champion for the past eight years is Takmaz. In preparation for the upcoming event, Takmaz and two young shepherds go out looking for a special kind of red rock which is used in powdered form to dye the sheep red. They encounter a problem when they learn that a large mining company has opened a vast marble quarry on the site of the rock deposits around the village, making it increasingly difficult to access the rock. As a last resort, one of the young shepherds, Ali, ends up buying some readymade red powder from the city to use for dyeing the sheep that year. Disheartened after losing the contest, Ali decides to leave shepherding and goes to work as a driver at the nearby marble quarry. award Special Jury Award Istanbul Derviş Zaim (Cyprus, 1964) graduated from Boğaziçi University with a degree in management and went on to earn an MA in film and cultural studies from the University of Warwick in the UK. His first feature, Somersault in a Coffin, won several national and international awards. He followed this up with the award-winning Elephants and Grass and then Mud, which won an award in Venice. Next came Waiting for Heaven (2006), Dot (2008) and Shadows and Faces (2011), a trilogy reflecting on three of Turkey s traditional art forms. He is also author of the 1992 award-winning novel, Ares in Wonderland. Zaim lectures on filmmaking at a number of universities. filmography 1997 Tabutta Rövaşata Somersault in a Coffin 2000 Filler ve Çimen Elephants and Grass 2003 Çamur Mud 2004 Paralel Yolculuklar Parallel Trips (doc.) 2006 Cenneti Beklerken Waiting For Heaven 2008 Nokta Dot 2011 Gölgeler ve Suretler Shadows and Faces 10

15 dabbe: a djinn incident dabbe: bir cin vakası turkey 2012, hd, 117, colour director Hasan Karacadağ script Hasan Karacadağ cinematography Murat Kılıç editing Aytekin Birkon cast Nihan Aypolat, Koray Kadirağa, Pervin Bağdat. Elif Erdal, Mete Şahinoğlu, İsmail Yıldız production-distribution Fono Film, Hasan Karacadağ, Yerebatan Cad. No: 9 Sultanahmet Istanbul T info@fonofilm.com.tr Dabbe: a Djinn Incident is a horror film about a sleepwalking woman and her family which draws on genuine camera footage The film is based on a real-life case of alleged possession by djinns. Djinns are said to inhabit caves, deserted places, graveyards and darkness. And they sometimes attack humans in their homes. This is the true and eerie story of a Turkish family whose house was possessed by vengeful djinns. The myth or legend of the djinns leads to a fascinating exploration of the world of demons and the supernatural. Hasan Karacadağ (1976) studied filmmaking in Japan after being awarded a Bunkacho scholarship by the Japanese government in He has directed several documentaries and short films. In 2006, he scored a box office triumph with his horror film, Dabbe, and launched the Turkish horror film genre. He went on to direct Semum, which again was a commercial success. He has also written and produced a further six horror films. filmography 1999 Hummadruz Hummadruz: The Sound of the Earth 2001 Pas The Rust 2006 Dabbe 2008 Semum The Poisonous 2009 Dabbe El Cin The Jinn 11

16 dances with the jackals 2 çakallarla dans 2 turkey 2012, hd, 103, colour director Murat Şeker script Murat Şeker, Ali Tanrıverdi cinematography Murat Tuncel editing Levent Çelebi music Serhat Ersöz cast Şevket Çoruh, İlker Ayrık, Timur Acar, Murat Akkoyunlu, Didem Balçin, Hakan Bilgin production-distribution SugarWorkz, Murat Şeker, Uğur Şeker, Cemal Okan, General Asım Gündüz Cad. Hak Apt. 100/3 Kadıköy Istanbul T hulya.seker@sugarworkz.com Once upon a time, four friends are jailed for fraud and hustling. They have a hard time behind bars: it s painful being away from loved one, home turf and football. But one day, our friends find out that a company is after guinea pigs for a medical experiment to be conducted on criminals. The experiment is to test crime prevention drugs, which means the guinea pigs are given conditional release. So when our friends hear about the reward, they decide to go for it. They also promise one another not to hustle again once they re out. But there s one thing they ve forgotten: the important thing is not being a hustler, but being able to dance with hustlers. Murat Şeker (Istanbul, 1973) studied film and television at Mimar Sinan University. He began working in the production of documentary films and television series in He continued his career directing music videos and writing on music for newspapers and magazines. He is currently working on his new project. filmography (short) 1998 Sıfır Zero (short) 2003 Adak Sacrifice (short) 2004 Almanya Rüyası German Dream (documentary) Süper Film Birden Gravity Zero 2007 Plajda On the Beach 2008 Türk Gibi Başla Alman Gibi Bitir A German Mind With a Turkish Heart (documentary) 2008 Aşk Tutulması The Goal of My Love 2009 Aşk Geliyorum Demez Game of Love 2010 Çakallarla Dans Dances with the Jackals 12

17 eye am gözümün nûru turkey, france 2013, hd, 80, colour director-script Hakkı Kurtuluş, Melik Saraçoğlu cinematography Meryem Yavuz editing Hakkı Kurtuluş, Melik Saraçoğlu cast Melik Saraçoğlu, Bilgin Saraçoğlu, İsmail Saraçoğlu, Ahmet Saraçoğlu, Orhan Saraçoğlu production İki Film (Hakkı Kurtuluş, Melik Saraçoğlu), Parmi Les Lucioles (Jérôme Duc-Maugé) distribution İki Film, Hakkı Kurtuluş, Melik Saraçoğlu, PK Beyoğlu Istanbul T hakki.kurtulus@ikifilm.com This is an auto fiction of M, a young film freak looking forward to making his own films. On account of two consecutive retinal detachments, he almost goes totally blind. During the 40 bedridden days that follow, he has to lie on his back with both eyes closed. This rehearsal for blindness culminates in the confrontation with his own fears. The film is based on the real life of Melik Saraçoğlu, one of the film s co-directors. Hakkı Kurtuluş (Istanbul, 1980) studied Communication, Film and German language at the Universities of Galatasaray, Lyon, ENS, Paris, Tübingen, Weimar and Berlin. Kurtuluş holds a PhD degree in German Language. He has specialized on the European cultural history with a special emphasis on Goethe and Nietzsche. Melik Saraçoğlu (Istanbul, 1984) studied film and literature in Lyon and Vienna Universities. He has published his literary works in Kitap-lık, Temrinler and Otium. filmography 2009 Orada There 2011 Viaggio in Bergmania Journey to Bergmania (documentary) 13

18 f type film f tipi film turkey 2012, hd, 80, colour directors Ezel Akay, Barış Pirhasan, Reis Çelik, Group Yorum, Hüseyin Karabey, Sırrı Süreyya Önder, Aydın Bulut, Vedat Özdemir, Mehmet Ilker Altınay cast Erkan Can, Fırat Tanış, Civan Canova, Tansu Biçer, Serkan Keskin, Gizem Soysaldı production-distribution Grup Yorum, İnan Altın Mahmut Şevket Paşa Mah. Mektep Sok. No: 4 Okmeydanı Istanbul T inanaltin@gmail.com F-Type presents a feature-length omnibus of nine shorts, each directed by a different director and each featuring a different cast. The project was created and produced by Grup Yorum. In general, the films are set in an F-type prison. Each director shot the story of a cell in the prison and their films were woven together to become neighbouring cells within the same prison. The films explore how prisoners struggle to overcome feelings of loneliness and isolation and how they re affected. We re also shown the effects on guards, lawyers and family members who visit the prisoners. Ezel Akay (1961) has directed and acted in various movies, TV commercials and stage productions. Barış Pirhasan (Istanbul, 1951) has written and directed numerous feature films. Reis Çelik (Ardahan, 1961) has written, produced and directed both features and documentaries. The band, Group Yorum, was formed in 1985 and has 21 albums to its name. This is the band s first professional film production. Hüseyin Karabey (Istanbul, 1970) has directed many short and feature films. Sırrı Süreyya Önder (Adıyaman, 1962) has directed one feature and written the scripts for many others. Aydın Bulut (Istanbul, 1968) has directed several films and TV series. Vedat Özdemir (1974) is a director of photography working in both feature films and TV commercials. Mehmet Ilker Altınay (1976) is a scriptwriter and assistant director; this is his directorial debut. 14

19 for the blinds turkey 2013, dvd, 130, colour, b&w director Ozan Adam script Ozan Adam cinematography Ozan Adam editing Ozan Adam music Helene Breschand cast Tuğçe Özbek, Orhan Cem Çetin, Selattin Özpalabıyıklar, Gülüş Gülcügil Türkmen production-distribution Ozan Adam, Göknar Sok. 49/5 Beşiktaş Istanbul T ozanadam@hotmail.com The stories in the film take place in a world where people live only for a short time. People s memories are erased and replaced with the new memories of another individual. Adjustments are made to the details of the new memories so that everybody remembers themselves as if they have always been living as that character. Seintn is an anomaly: his memories haven t been entirely deleted which means he suffers from multiple personality syndrome; he has no alternative but to live with the bits and pieces of other people s memories. He is, however, oblivious to his condition and unaware that he poses a serious threat to the order of society. Investigators are after him for the crimes he has committed. They suspect him of being a delirious serial killer responsible for numerous crimes and murders. Ozan Adam (Ankara, 1976) studied art and cinema in New York and has worked in film production, commercials, stage construction and the media, advertising and design industries. After teaching film, video production and experimental cinema courses at Istanbul Bilgi University, he now lectures at Bahçeşehir University. Many of his films have been selected for screening by international festivals, galleries and museums. filmography 2004 The Assasination of the Seven Arts (experimental) 2005 The Division of a Blue Cell (animation) 2006 Last Vision (experimental) 2007 The Two Names of a Testimony About the Execution of an Happening and a Suitcase Full of Broken Records (experimental) 2008 Zymotic - Amaurosis: Contagious Arbitrary Blindness (experimental) 2009 Halle (documentary) 2009 I stanbul (documentary) 2010 The Visual Diary of a Journey (documentary) 2011 Antakya (documentary) 15

20 forgive me özür dilerim turkey 2013, dcp, 85, colour director Cemil Ağacıkoğlu script Cemil Ağacıkoğlu cinematography Ali Olcay Gözkaya editing Orhan Örsman music Doğan Duru cast Güven Kıraç, Sema Poyraz, Köksal Engür, Deniz Denker, Gökhan Kıraç production-distribution Yol Film, Başak Kıraç, Kuloğlu Mah. Hayriye Cad. Çorlu Apt. 3/8 Galatasaray Beyoğlu Istanbul T basaksay@gmail.com Forgive Me is the heartbreaking story of a grown up man with severe mental retardation who shapes his family s life. Tevfik, a retired bank employee (70), leads a moderate life with his wife, Neriman (60), and two sons, Selim (40) and Zafer (25), in Bakırköy, Istanbul. Selim s disabilities have dominated the household for years and the family has abandoned Neriman to face these challenges alone. Selim s disabilities arise from his severe mental retardation: his perception is slow, and though he recognizes family members and adores them, he can t express himself in any way. He s entirely dependent on his caretaker. Here lies Neriman s biggest fear in life: she can t help but worry what would become of Selim if something were to happen to them. This was the reason for having a second child, Zafer. Zafer s scorn for his family is also rooted in this: constantly overshadowed by his older brother s condition, Zafer is unable to assert himself. On the other hand, Zafer s fiancé, Hale, clings to him with hopes of moving to Canada to distance herself from her mother. Cemil Ağacıkoğlu (Istanbul, 1959) began his photographic career in He earned the distinctions of Artist FIAP in 1995 and Excellence FIAP in He has received numerous national and international awards for his photography, which has been shown in several solo exhibitions. He made his first short film, Cover, in 1998, and has directed a number of music videos. His first feature film was the award-winning September. filmography 1998 Kapak Cover (short) 2005 It Was White (short) 2005 I am Ivan (short) 2008 Polis Police (short) 2008 I p Rope (short) 2011 Eylül September award Best Actress Istanbul 16

21 gallipoli - the end of the road çanakkale yolun sonu turkey 2013, dcp, 85, colour director Kemal Uzun script Alphan Dikmen, Başak Angigün cinematography Mete Şener editing Mustafa Preşeva music Mert Oktan cast Gürkan Uygun, Stephen Chance, Ben Warwick, Umut Kurt, Berrak Tüzünataç production-distribution TT Film, Tolga Aydın, Sıraselviler Cad. 111/1 Cihangir Beyoğlu Istanbul T ttfilm06@gmail.com 25 April, 1915 The night is a calm one for an observation unit on the shore and a few squads positioned on the roofs of fishermen s houses; until 04.30, when it turns into hell with the intense machine-gun fire of Anzac soldiers landing on the beaches in open boats. After a few hours, only 10 of the 160-man unit are still alive, among them Eyüp, a local from the Kocadere district of Çanakkale, and Bedros, a non-muslim Ottoman soldier. Kemal Uzun (1959) studied journalism. After working as an actor, he moved behind the camera to direct several popular TV series such as Gümüş, Genco and Lale Devri. He has also made a number of documentaries. His made his debut feature with Vay Arkadaş. Gallipoli - The End of the Road is his second film. While the resistance of the Turkish army continues in Gallipoli, Ottoman citizens arrive at the front to fulfil their duty to protect the homeland. Muhsin and his brother, Hasan, are among the reinforcement troops mobilized to the front. Muhsin is a master gunner and Balkan War veteran who has recently been demobilized. Although eager to protect his homeland, Muhsin s primary reason for re-joining the army is to look after his brother, Hasan, who has left his pregnant wife to join the war. As soon as he sets foot on the Gallipoli peninsula, Muhsin meets Behice, a nurse stationed at the front with the Red Crescent... 17

22 jîn turkey 2013, 35mm&hd, 122, colour director Reha Erdem script Reha Erdem cinematography Florent Herry editing Reha Erdem cast Deniz Hasgüler, Onur Ünsal, Sabahattin Yakut, Sema Kuray, Mahmut Altuner production-distribution Atlantik Film, Claudine Avetyan, Üst Zeren Sok. No: 2 1. Levent Istanbul T claudine@atlantikfilm.com Jîn is a 17-year-old girl, determined to live, to participate in life no matter what it takes; and to this end she finds herself battling her way bravely through dark forests. The film opens with Jîn fleeing an armed organization in the mountains for an unknown reason. She spends solitary days in the mountains and forests hiding both from organization members and from security forces. Her aim is to get to the big city, to achieve her dreams of new and wider worlds unknown to her until now. Armed with a small but robust body and a fresh but powerful sense of resolve, she manages to create a space for herself in the dark and forbidding wilderness. She gets caught in crossfire and courageously dodges the bullets, she knows fear and cold, she finds things to eat. She shares a cave with a bear to escape a shelling, she finds an ally in a deer, she treats an injured donkey, she makes a pact with a savage bird whose egg she eats. Eventually, she lays her hands on some civilian clothing and makes her way down from the mountains. But for Jîn, the plains are more dangerous than the mountains, more threatening and more hurtful. Reha Erdem (Istanbul) graduated from Cinema Department of Paris 8 University. He received his M.A. in Plastic Arts at the same university. He shot his first feature film Oh Moon in 1989 as a French-Turkish co-production. He wrote all of his films except for Mommy I m scared, which he was one of the co-writers. He also directed the theater play, Maids (Les Bonnes) by Jean Genet. He is currently working on his new project Singing Women. filmography 1989 A Ay Oh Moon 1995 Deniz Türküsü Song of the Sea (short) 1999 Kaç Para Kaç Run for Money 2004 Korkuyorum Anne Mommy, I m Scared 2006 Ekimde Hiçbir Kere Anytime in October (short) 2006 Beş Vakit Times and Winds 2008 Hayat Var My Only Sunshine 2009 Kosmos 18

23 karnaval turkey 2013, hd, 95, colour director Can Kılcıoğlu script Can Kılcıoğlu cinematography Tayman Tekin editing Çiçek Kahraman music Okan Kaya cast Sedar Orçin, Tülin Özen, İpek Bilgin, Sait Genay, Vedat Erincin production DeliCe Film, Doğa Kılcıoğlu world sales Alpha Violet, Keiko Funato, 14 rue Soleillet BL Paris France T keiko@alphaviolet.com Karnaval is a humorous love story about a doorto-door salesman and a cake maker finding each other thanks to a carpet cleaner when both are drifting after respective family blows. In the outskirts of Izmir, Alis (36) has been living in his car since getting kicked out of home by his father. In the meantime, though, he has been applying for jobs which his mother marks for him in the newspaper. He eventually finds a job as a door-to-door salesman for Karnaval carpet cleaners, which leads him into an extraordinary liaison. Demet (33) has been looking after her father since her mother passed away. While she makes cakes in her father s wedding hall, she dreams of moving to Istanbul one day and opening her own patisserie shop. None of her expectations in life has materialized until she meets Alis. Can Kılcıoğlu (Izmir, 1982) graduated from the Galatasaray University, Faculty of Communication and studied film at the University of Bordeaux in He has written and directed four short fiction films that were widely screened both at national and international film festivals. His latest short film received 11 awards. More recently, he has been working on his first feature film Karnaval. He is the co-founder of DeliCe Film Production Company. filmography 2003 Yanılış Mistaken (short) 2004 Masal The Tale (short) 2006 Koridor Corridor (short) 2007 Yoldaki Kedi The Cat on the Road (short) 19

24 king of the cotton toprağa uzanan eller turkey 2012, hd, 96, colour director Ömer Can script Eda Tezcan, Ramazan Demirli cinematography Engin Özkaya editing Ömer Can, Emre Yıldırım music Engin Bayrak cast Ali Bilen, Zeliha Bilen, Melih Selçuk production-distribution Ömer Can, İstasyon Yolu Sok. 5/8 Maltepe Istanbul T omercan01@gmail.com Toprak is the middle child of a family who have gone to Çukurova as seasonal workers. Although he s six, Toprak has yet to start school and yet to be issued with an identity card. His 15-year-old elder sister is forced by her father to get engaged to a man her grandfather s age in exchange for a hefty bride price. Zeliha, Toprak s younger sister, loses her sight after contracting polio. All the family members except Zeliha work as labourers and try to make enough money to last for the rest of the year. However, when the children s grandmother dies, the family have to take Zeliha with them to the fields. Toprak is very protective of his blind sister and can`t bear her getting upset; he almost plays the role of a father to her. He has a different way of describing the family s problems to her. In his fairytale world, the family must go to the land of the Cotton King and make Zeliha a sea of cotton in order to save the sick princess. Ömer Can (Adana, 1977) began studying at Ege University, but then transferred to the Istanbul University, Department of Communication. He launched his film career in He has worked as an assistant director, production coordinator, executive producer and producer in the film industry. filmography 2011 Cono Ahmet in Çocukları Children of Cono Ahmet (documentary) 20

25 the king s way - the olba kingdom kral yolu - olba krallığı turkey 2013, 35mm, 80, colour director Serli Seta Nişanyan script Derya Kaya cinematography Feza Çaldıran editing Aytekin Birkon, Erkan Tekemen, Gücan Cansever music Kıraç cast Doğa Rutkay, Arda Esen, Yonca Evcimik, Murat Soydan, Sunay Akın, Deniz Evren Kaya production-distribution Zoom Out Yapım, Divan Yolu Cad. Hacı Tahsin Bey Sok. Orhan Tahsin Bey Han, 5/7 Sultanahmet Fatih Istanbul T serlinisanyan@gmail.com Deniz s parents are archaeologists. He wants to spend the holidays with his parents, but they have to work on an excavation in Mersin. Angry and upset, Deniz tells his grandfather and they set off together for Mersin. The parents, surprised to see them, make a deal: Deniz must spend the mornings with friends and the family will come together in the evening. The grandfather becomes leader of Deniz s group of friends. When Deniz hears his father talking about an old map, the kids plan to steal the map, carry out the excavation themselves and find the queen s crown. In the cave they find, a sleeping history comes to life in which animation characters represent good and bad spirits. When the kids find the crown, the queen gives her crown to Deniz at the entrance to the cave and bids farewell to daylight. Serli Seta Nişanyan (Istanbul, 1982) studied TV and Journalism at Istanbul Bilgi University and Public Relations at Anadolu University. She went on to earn an MA in English education at Yıldız Technical University. She directed several documentaries before making her debut feature, The King s Way - The Olba Kingdom. 21

26 let this be the last one bu son olsun turkey 2012, 35mm, 100, colour director Hüseyin Orçun Benli script Hüseyin Orçun Benli, Şükrü Üçpınar cinematography Vedat Özdemir editing Levent Çelebi music A. Cahit Berkay cast Engin Altan Düzyatan, Hazal Kaya, Mustafa Uzunyılmaz, Ferit Kaya, Ufuk Bayraktar production-distribution Uzak Yakın Film, Hüseyin Orçun Benli, Konaklar Mah. Org. İzzettin Aksalur Cad. TRT Basın Sitesi D Blok A Kapısı D: Istanbul T orcunbenli@gmail.com Yaşar, Apo, Cowboy Ali, Cevat and Ertuğrul are five homeless guys who have made the Balat quarter of Istanbul their own. Their only goal in life is to fill their stomachs and feed their one passion in life, getting drunk on wine. They even exploit the political climate of the 80s in their quest for free wine. With the military coup of September 12, 1980, our five homeless heroes face daily curfews. Ironically, their only home is the now forbidden streets. After a series of humorous incidents, the five find themselves a new home: prison. But prison is an unstable world full of power struggles. The long-time warden, Hızır, resents having the newly appointed military controller, Kenan, as his boss. And the rest of the prison staff are vying for positions of power in the new order. This creates an opportunity for Yaşar and his gang who play on the power struggles to make themselves comfortable. Affected gradually by the rising tensions and contempt for human life in this new order, Yaşar and his friends change their way of thinking. They decide to hatch a scheme to free the wrongfully imprisoned and reunite the lovers, Sinan and Lale. Hüseyin Orçun Benli (Istanbul, 1980) studied radio, television and cinema at Academy Istanbul. He directed several short films during his studies. He has worked in film, television and commercials as an assistant director. filmography 2005 Manipülasyon Manipulation (short) 22

27 lifelong hayatboyu turkey, germany, the netherlands 2013, hd, 102, colour director Aslı Özge script Aslı Özge cinematography Emre Erkmen editing Natali Barrey, Aslı Özge cast Defne Halman, Hakan Çimenser, Gizem Akman, Onur Dikmen production Bulut Film, Nadir Öperli world sales Films Boutique, Köpenicker Strasse Berlin Germany T info@filmsboutique.com Ela is a respected artist, Can a successful architect. They live in a stylish house designed by Can in one of Istanbul s most prestigious neighbourhoods. Although the passion has mostly gone out of their marriage, mutual respect and admiration keep their union afloat. That is, until Ela overhears one of Can s phone conversations... Ela s comfortable life is quickly overshadowed by mistrust. Though deeply shaken, she is afraid to acknowledge it. For a while, true happiness and self-respect take a back seat to comfort and security. Both Ela and Can go into complete denial. Their disillusionment, however, becomes apparent when Ela develops somatic symptoms, bringing her feelings of entrapment to the surface. The marriage is teetering on the edge and Ela has to struggle with a huge decision. Aslı Özge (Istanbul, 1975) graduated from the Film Department of Marmara University. In 2003, she directed her first feature film A Little Bit of April, co-produced by ZDF/3sat. In 2009, her feature film Men on the Bridge won awards and premiered internationally at the Locarno and Toronto Film Festivals. Currently she works on her new project All of a Sudden, which is presented in the Co-Production Market of 63 rd Berlin International Film Festival. filmography 2000 Büyük Harf C Capital C (short) 2003 Biraz Nisan A Little Bit of April 2005 Hesperos un Çömezleri Hesperos Apprentices (documentary) 2009 Köprüdekiler Men on the Bridge award Best Director, Best Cinematography Istanbul 23

28 load yük turkey 2012, 35mm, 80, colour director-script Erden Kıral cinematography Feza Çaldıran editing Mustafa Preşeva cast Tülin Özen, Nadir Sarıbacak, Tansu Biçer production-distribution TFT, Ayfer Özgürel, Yıldız Cad. Tevfik Paşa Konağı 49/2 Beşiktaş Istanbul T ayfer@tftyapim.com This film is based on a true story about a man who hid out in a mine after committing murder. Zeynep, the leading female protagonist, is the common denominator of the story, in which the director explores the psychologies of two men: Cemal, who regrets having committed murder, and Cumali, who is pursuing the murderer with the intention of killing him, but worries about doing so. Zeynep is currently married to Cemal, but some years earlier she had a passionate affair with Cumali, who was married and had a child. The story is told through flashbacks and hallucinations, mirroring the psychological states of the characters in the film. Past and present, reality and illusion are interwoven. As time goes on, Cemal s fears are transformed into courage. He pleads with his hunter, Cumali, to kill him; but his pursuer no longer dares to do so. Erden Kıral (Gölcük, 1942) studied ceramics at the Istanbul Academy of Arts. He has written on film for newspapers and magazines. He has made nine award-winning feature films. On Fertile Lands, won the Best European Film Award in Strasbourg; A Season in Hakkari, received the Silver Bear, FIPRESCI, CICAE and Otto Dibelius Awards at Berlin; The Mirror was nominated one of the 10 Best Films of All Times by the European magazine. He has been a member of Berlin Akademie der Künste since Kıral draws on his cultural heritage and sensitively conveys the sociopolitical conditions of his country without falling into the trap of exoticism. He succeeds in addressing an international audience thanks to the honesty of his perspective, the universality of his concerns, and the artistic integrity of his films. award Film Directors Association Jury: Best Director Adana 24

29 the long way home eve dönüş sarıkamış 1915 turkey 2012, 35mm, 112, colour director Alphan Eşeli script Serdar Tantekin, Alphan Eşeli cinematography Hayk Kirakosyan editing Ömer Özyılmazel music Mihaly Vig cast Uğur Polat, Nergis Öztürk, Serdar Orçin, Muharrem Bayrak, Şevket Süha Tezel, Sıla Çetindağ production-distribution Böcek Yapım, Oğuz Peri, Çubuklu Cad. Ağaçlık Mesire Yeri D-E Burunbahçe Beykoz Istanbul T oguzperi@bocekyapim.com.tr The Long Way Home is set on the outskirts of Kars, northeast Anatolia, in the winter of 1915 and takes us to the immediate aftermath of the Battle of Sarikamis. As the war is just over and hostility still continues between the opposing sides, the area is a no man s land. With little dialogue and haunting imagery, the film follows a group of seven people from different walks of life on their quest to escape the war zone and find a safe path back home. All seven converge in an abandoned Armenian village in the face of a particularly harsh winter, but the lack of food causes even greater hardship. As the days pass and conditions get worse, conflicts escalate within the group, and the dramatic tension of the movie intensifies. Alphan Eşeli (Ankara, 1973) moved to New York where he graduated from the New York Institute of Technology with an MA degree in filmmaking after earning a BA. He directed various commercials and music videos. He returned to Istanbul in 2003 and made various successful commercials. Eşeli is also a photographer; and through Istanbul 74, which he co-founded with Demet Müftüoğlu Eşeli in 2009, he is one of the creators of the Istanbul International Arts and Culture Festival. The Long Way Home is his debut feature. 25

30 love me sev beni turkey, ukraine 2013, 35mm&hd, 95, colour director Maryna Gorbach, Mehmet Bahadır Er script Mehmet Bahadır Er, Maryna Gorbach cinematography Svyatoslav Bulakhovsky music Barış Diri cast Ushan Çakır, Viktoria Spesivtseva, Olena Stefanska, Güven Kıraç, Mehmet Bahadır Er production-distribution Tatofilm (Olena Yershova), Protim Video Production (Mehmet Bahadır Er) T o.yershova@gmail.com Sasha, an attractive Ukrainian woman, decides to end a long-term relationship with her married lover from Moscow. Fighting the fear of loneliness, she brings home a foreigner one night with the plan of getting pregnant and never seeing him again. Cemal is a young Turkish man, betrothed by his family to a girl he has never seen, despite his aspirations of true love. That night changes Cemal as he stumbles upon the beautiful Sasha, an independent girl with an agenda of her own. Surprisingly, Cemal turns out to be the first man in Sasha s life to make her feel like a real woman rather than an evening lady summoned to satisfy men s carnal needs. Despite the language barrier, the chemistry between them is undeniable. But even after this deep experience, Sasha still faces a dilemma: to learn to love or to keep running away in her everlasting sex marathon? Maryna Gorbach (1981) graduated from the Faculty of Cinema and TV Directing of the Kiev National University of Cinema and TV, and from the Andrzej Wajda School of Film Directing. Her first feature project, Black Dogs Barking, premiered at Rotterdam in 2009 and was screened at more than 40 festivals. filmography 2004 The Jar (short) 2006 The Debt (short) 2009 Kara Köpekler Havlarken Black Dogs Barking (co.) Mehmet Bahadır Er (1982) graduated from Mimar Sinan Fine Arts University in film and TV directing. His shorts have collected some 25 awards from different film festivals. His first feature project, Black Dogs Barking, premiered at Rotterdam in 2009 and was screened at more than 40 festivals. Is there any chance for true love?... selected filmography 2004 Goygoy (short) 2005 Zilzal The Earthquake (short) 2007 Araf The Heights (short) 2009 Kara Köpekler Havlarken Black Dogs Barking (co.) 26

31 mahmut and meryem mahmut ile meryem turkey 2013, 35mm&hd, 127, colour director Mehmet Ada Öztekin script Yerkan Kahraman cinematography Serkan Güler music Toygar Işıklı cast Aras Bulut İynemli, Eva Dedova, Mehmet Çevik, Polat Bilgin, Tomris İncer production-distribution 24 Kare Film (Sevda Kaygısız), Duka Film (Özkan İpek), Hattat Halim Sok. Babadan Apt. 6/1 Balmumcu Beşiktaş Istanbul T ozkan@dukafilm.net June 1514, Gence, a town belonging to the Karabağ Sultanate... Ziyat Khan has been emperor of the sultanate for 23 years. As he realizes he is getting older, he starts thinking about the empire s future. His only son, Mahmut, is poles apart from his father in character. Ziyat Khan finds it impossible to conceive of him ruling the empire. By contrast with Ziyat Khan s barbaric policies, Mahmut believes in humanity, freedom and peace. Kamer Banu, Ziyat Khan s wife, isn t interested in the crown for herself; her one concern is her son, Mahmut. All she wants is to see him marry and become emperor of the sultanate. Mahmut is a young man who rejects his father s vision of the world. He has no designs on the throne or power, the sword or war. Instead, he falls in love with a Christian girl called Meryem. Mahmut s behaviour worries Ziyat Khan. He just can t see his only son as an emperor. At the same time, Meryem s father is anxious to keep his daughter away from Mahmut because of their different faiths. Throughout the story Mahmut follows his heart. At the time of this journey we see Mahmut s experiences of life, humanity, goodness and justice. Mehmet Ada Öztekin (Antalya, 1976) studied Business Administration at Dokuz Eylül University. He has earned assistant director credits on several Turkish, German, American, French and British feature and documentary projects. By 2008, he had been involved in around 300 commercials as an assistant director and director. In 2001, he worked in dance theatre with choreographer Thomas Menges. He made his first short film, Buruka, in He has collaborated with Kutluğ Ataman on three video art projects as a producer. In 2008, he shot his second short film, Uluma. He has also directed a number of Turkish TV series. Mahmut and Meryem is his debut feature film. 27